The Wolfe of Badenoch: A Historical Romance of the Fourteenth Century — Reading Notes

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Lauder, Thomas Dick, Sir, 1784-1848 Project Gutenberg 2021 Not confirmed
Historical fiction; Scotland -- History -- 1057-1603 -- Fiction; Stewart, Alexander, Earl of Buchan, 1343-approximately 1405 -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 281,036
Reading time 1222 min
Text sections 77

This digital edition of The Wolfe of Badenoch: A Historical Romance of the Fourteenth Century — Reading Notes is described by source-level measurements including 281,036 words, 20 hr 22 min estimated reading time, and 77 detected text sections.

The text analysis averages about 25.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Historical fiction,” connecting these edition facts with the source record’s subject description.

Sir Thomas Dick Lauder's 1827 historical romance follows the turbulent career of Alexander Stewart, Earl of Buchan, known as the Wolf of Badenoch, amid 14th-century Scottish politics. The novel adheres closely to historical fact, as Lauder notes in his preface, while weaving a fictional narrative around the Wolf's conflicts with church and crown.
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The Scottish Knights—Journeying Homewards—The Hostelry of Norham Towers, 17

The Host and the Hostess—Preparing the Evening Meal, 29

The Knights Invited to Norham Castle, 33

The Evening Meal at the Castle—The Minstrel and the Tourney of Noyon—Master Haggerstone Fenwick the Ancient, 39

Night at the Castle—The Friar’s Visit to the Ancient, 47

Making Love on the Ramparts, 54

The Midnight Meeting in the Ancient’s Chamber—Strange Proposal—A Dreadful Alternative, 61

Arrival of Sir Rafe Piersie—The Challenge, 70

The Combat—Departure of the Scots—Master Kyle Swears by St. Cuthbert, 77

The Home of the Hepbornes—Remembrances of Childhood—The Old Wolf-Hound, 84

The Wolf Hunt—A Desperate Encounter, 90

The Freaks of Love at Hailes Castle—The Tournament at Tarnawa Announced, 97

Sir Patrick Hepborne’s Departure for the North—Consternation at the Castle, 109

The Pursuit—Surprising the Camp, 115

Norham Castle again—The Ancient’s Divination—Sir Walter Bewitched—The Franciscan Friar to the Rescue, 121

Raising the Devil—Delivered to the Flames, 126

Sir John’s Pursuit in Quest of the Missing Lady—The Forester’s Hunting Camp—Sir Miers de Willoughby’s Border Keep, 134

The Horrors of the Dungeon, 140

Dawn in the Dungeon—An Appalling Sight—Rough Visitors, 147

A Dreadful Situation—Daniel Throckle the Old Jailor, 153

Crooked-hold-him-fast—Making a Lantern of Burnstower Castle, 160

Waiting for the Spearmen—The Lady Isabella’s Tale—The Fight, 166

Sir Patrick Hepborne’s Journey North—Passes through Edinburgh—King Robert II.—The Wilds of the Highlands—The Celtic Host, 171

Savage-looking Visitors—Night in the Highland Hostelry— Wolf Dogs, 180

Wild Scottish Bisons—Fight with a Bull—Cold and Fatigue, 184

The Evening Encampment—Treachery, 191

Another Night attack—A Desperate Encounter, 198

Meeting the Wolfe of Badenoch—The Cavalcade, 205

The Wolfe of Badenoch’s Hunting Encampment—Letter from King Robert—Arrival at the Wolfe’s Stronghold, 210

The Castle of Lochyndorbe—An Evening Episode on the Ramparts—The Wolfe’s Raid on the Bishop’s Lands, 224

The Lady Mariota and the Page—The Fury of the Wolfe, 231

Maurice’s Song—The Franciscan Friar—Excommunication, 238

The Water Pit Vault—Friar or Devil, which? 247

The Wolfe of Badenoch and the Earl of Moray, 251

The Castle of Tarnawa—Distinguished Guests, 260

The Banquet at the Castle—Alarm—Forres on Fire, 267

The Burning of the Church and Town of Forres, 272

Sir Patrick and the Earl at Forres, 279

In the Countess of Moray’s Apartments—Sir Patrick gets Quizzed, 283

Rory Spears, the Earl’s Henchman, 288

The Lovely English Damosel, 292

Mustering for the Tournament—The Proclamation—The Procession at St. John’s Chapel, 293

The Italian Armourer—The Knight of Cheviot, 304

The English Ambassador and the Gallant Lindsay, 321

The Earl of Fife’s Council Meeting—The Challenge between the Scottish and English Knights, 326

The Departure from the Castle of Tarnawa—The Alarm of War, 333

The Lord of Dirleton’s Tale—The Bishop of Moray and his Clergy, 342

The Mystery of the Lady Beatrice—Arrival of the Nobles and Men-at-arms at Aberdeen, 351

King Robert at Aberdeen—Duncan MacErchar again, 356

The Wolfe of Badenoch at Aberdeen—Father and Son, 366

The English Lady’s Departure from Tarnawa Castle—The Crafty Son of the Wolfe of Badenoch, 376

Sir Andrew’s Deep-laid Plot—An Unexpected Arrival, 384

Travelling through the Wild Forest—A Dreadful Spectacle— Arrival at the River Tweed, 394

Old Acquaintances at the Hostel of Norham Tower—Great Gathering at Jedworth—The Council of War, 402

The Scots Besieging Newcastle—The Fight on the Walls, 415

Combat between Douglas and Hotspur—The Fight for the Pennon, 426

The Battle at Otterbourne, 444

The Bishop’s Army—Sorrow for the Fate of the Heroic Douglas, 459

The Field of Otterbourne after the Fight, 465

Withdrawal of the Scots Army—Obsequies of the Gallant Dead— The Mystery Solved, 471

The Scottish Knights at the English Court—The Wealthy London Merchant—Combat on London Bridge, 485

Lady de Vere and her lovely Guest—Innocence and Purity Endangered—The King’s Confessor and the Franciscan Friar, 506

In the Dungeons of the Tower of London, 525

A Ship of Olden Times—Tempest Tossed—Arrival at the Maison Dieu in Elgin, 529

The Wolfe of Badenoch again—The Burning of Elgin Cathedral, 536

The Bishop’s Palace at Spynie—The Wolfe gets a Surprise, 547

Changes at the Castle of Lochyndorbe—The Wolfe tamed—Alarm for the Lady Beatrice, 555

Bishop Barr at Lochyndorbe Castle—Reception by the Wolfe, 566

The Scottish Knights in London—Father Rushak’s Tale, 576

At the Scottish Court—The Penitential Procession—Sir Patrick and the Friar, 582

Accusation made in presence of the King—The Challenge, 595

The Missing Lady Beatrice, 604

The Ordeal of Battle, 608

The Friar’s Tale—The Two Combatants—Lady Eleanore’s explanation—All is well that ends well, 615

THE WOLFE OF BADENOCH.

The Scottish Knights—Journeying Homewards—The Hostelry of Norham Towers.

Sir Thomas Dick Lauder's 1827 historical romance opens with a banquet scene at Tarnawa, where the Earl of Fife abruptly breaks up the festivities upon receiving a letter from his royal father. The sudden shift from mirth to solemn council, the darting looks among English knights, and the eager speculation of Scottish nobles about a possible war with England establish a pattern of political tension and withheld information that runs through the novel.

Lauder, in his preface, acknowledges the shadow of Sir Walter Scott's 'Great Unknown' and defends his own scrupulous adherence to historical fact. The result is a romance that often prioritizes documented events over free invention, creating a distinctive texture where courtly intrigue and military preparations dominate the narrative landscape.

The Weight of Historical Fidelity

Lauder's preface reveals a deliberate choice: he 'adhered strictly to historical fact, as far as history or historical character has been interwoven with his story.' This commitment, he admits, 'considerably fettered his invention.' The excerpt from the banquet scene demonstrates this approach: the Earl of Fife's behavior—his 'sweeping, yet particularizing glance' that leaves each guest feeling singled out—is a small, precise observation of courtly performance, not a grand dramatic gesture. The nobles' conjectures about war with England are grounded in plausible political reasoning, not melodrama. Readers should expect a narrative where historical events provide the skeleton, and fictional flesh is added sparingly.

Silence and Speculation as Narrative Engines

In the banquet scene, the most striking pattern is the interplay between spoken conjecture and enforced silence. The nobles 'exercise their ingenuity in guessing' at the letter's contents, but once selected as councillors, they 'consider the seal of silence imposed on their lips.' This dynamic—where characters are alternately eager to speak and compelled to remain silent—creates a tense, secretive atmosphere. Lauder devotes careful attention to the physical signs of this tension: faces betraying 'a consciousness of greater self-importance,' the 'profound silence' succeeding mirth. The novel's pacing often depends on such withheld information, with characters and readers alike left to interpret gestures and glances.

Contrasts in Courtly Conduct

The excerpt highlights a subtle contrast between Scottish and English behavior. The English knights under Lord Welles 'dart very significant looks towards one another' and retire 'in a body,' suggesting a unified, perhaps wary, detachment. The Scottish nobles, by contrast, are more visibly engaged—some 'overjoyed' to be included, others 'compelled to withdraw with extreme reluctance.' Lauder uses these small group dynamics to sketch national character without overt commentary. The Earl of Fife's bow, 'with such a sweeping, yet particularizing glance,' is a masterful piece of political theater, leaving each individual 'in the firm belief that he had been especially distinguished.' Such attention to the rituals of power suggests that the novel will reward readers who watch for these nuanced social signals.

Readers approaching this romance should attend to the spaces between dramatic events: the councils, the whispered speculations, the meaningful glances. Lauder's historical scrupulosity means that major plot points are often predetermined by recorded fact, but the interest lies in how characters navigate the constraints of their era. The novel's length—over 280,000 words—allows for extended exploration of these political and social intricacies, making patience with courtly protocol a rewarding investment.

Reading about Lauder’s Wolf, I remembered my grandfather’s crackling voice recounting clan feuds, and how history felt like a distant thunderstorm. Then I found "The Liberry" — Inside the Classic, which hushed that thunder into a hearth-fire glow. Both books hold the same ache—not for the dates, but for the quiet weight of people who lived before us.

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