Bob Bowen Comes to Town — Inside the Classic

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Bedford-Jones, H. (Henry), 1887-1949 Project Gutenberg 2022 Not confirmed
San Francisco (Calif.) -- Fiction; Businessmen -- Fiction; Mines and mineral resources -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 21,253
Reading time 93 min
Text sections 2

Before opening Bob Bowen Comes to Town — Inside the Classic, the edition data offers a quick orientation: 21,253 words, 1 hr 33 min estimated reading time, and 2 detected text sections.

The text analysis averages about 12.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “San Francisco (Calif.) -- Fiction,” connecting these edition facts with the source record’s subject description.

In H. Bedford-Jones's 1918 mining-stock adventure, Bob Bowen, a lean mine-seller from Tonopah, partners with stenographer Alice Ferguson to outmaneuver a New York financier in San Francisco. The excerpts reveal a fast-talking hero, a heroine who insists on earning her place, and a plot driven by ruby silver, stock manipulation, and a partnership that blurs business and romance.
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Editorial Edition Score 4.6/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

speed slipped westward. The fat man leaned forward again, his eyes on Bowen. Mirth shook his ponderous frame.

“Say!” he uttered. “I happen to know about that Yellow Jack mine. It was sold to Dickover of New York, all right; but it was sold by a big Swede named Olafson. No offense, pardner—but you’re some liar! What made you string that poor boob?”

Bowen laughed unassumedly, and the fat man laughed in sympathy with him.

“He asked too many questions—too curious. Anyway, I told him the exact truth!”

“Come on, come on!” squeaked the fat man scornfully. “I’m no chicken. You can’t put it over _me_, young man!”

“I’m not trying to,” said Bowen coolly, his eyes twinkling. “It’s a matter of record that I sold the Yellow Jack mine. Only, as it happens, I sold it to Olafson two years ago, before we dreamed there was any ruby ore in that locality! And I sold it for five hundred dollars. Now who’s the boob? Me, Bob Bowen! Don’t hold back, stranger; when old Olafson sold out for a million and a half, I quit Tonopah for good.”

The fat man chuckled. The chuckle deepened into a billowing laugh that shook his broad frame, and the laugh became a roar of mirth. Bowen grinned wrily.

“Laugh your fool head off—I deserve it!” he went on. “Still, I’ll hand it to you at that. You with your talk of Dickover! That’s what made our late friend really sit up and rubber. Did you notice what reverent attention he paid to your fool dissertation on curb stocks? I’ll bet a nickel he’ll invest twenty dollars or so in Big Daisy or Apex Crown on the strength of your remarks.”

The fat man choked over his cigar, and flung it away.

“Didn’t you think much of my spiel?” he demanded. “Why, I thought I knew a little—”

“Huh!” grunted Bowen, yet no whit unpleasantly. “Stranger, if you really want to _learn_ a little about curb stocks, you go and float around the mining country a bit. If I took your pointers on stocks, I’d be in a poorhouse next month!”

“Then you’re a broker?”

“No. Not by a long sight!” snapped Bowen. “I play a straight game.”

“No offense.” The fat man chuckled again. “You’re really going to sell a couple of mines in Frisco? Or was that bunk, too?”

“No, that was straight enough; not the selling part, maybe, but the trying.” Bowen sighed a little, and older lines showed in his lean face. “I’ve got two properties close in to the Yellow Jack.”

“Why didn’t you try selling them to Dickover’s agent?”

“Him!” Bowen grunted in disgust. “Stranger, that guy Henderson, just between you and me, is crooked as hell! Know what he did? Made Olafson give him fifty thousand dollars before he’d approve the sale! I sure do feel sorry for old man Dickover; some day that confidential agent, Henderson, is going to get into him good and deep, believe me!”

The fat man carefully extracted two fat, gold-banded, amazing cigars from a case, and extended one to Bowen.

“Smoke. You seem to be sore on that agent.”

“Not me, stranger. You can ask anybody on the ground.”

“H-m! Going to the Palace, I suppose? Best way to sell mines is to put up at the best place and make a splurge. But you know that, I guess.”

“I didn’t; but maybe I’ll take your advice. It listens good. No, don’t get the notion that I’m sore on the Dickover crowd. My ground isn’t the sort they’re after. It’s low-grade ore and heaps of it. I’ll get after the low-graders in Frisco, see?”

The fat man nodded knowingly. “What are your properties?”

“The Sunburst and the Golden Lode.”

For a space the two men smoked in silence. Bowen enjoyed his cigar; it had been long months since he had smoked a cigar whose aroma even approached this. Evidently the fat man was no pauper.

The word struck bitterness into Bowen. Pauper! He himself had just thirty dollars to his name. He would look fine, going to the Palace! Yet, why not? He could get by with it and let the bill run, on his appearance; if he sold his two mines, or either of them, everything would be fine.

And if not—well, something would turn up.

“Yep,” he said abruptly, ending his thoughts in speech before he could check the impulse, “I guess that was good advice. I’ll go to the Palace.”

The fat man eyed him shrewdly, but Bowen was again lost in frowning thought.

The story opens in a smoking-room on a train bound for San Francisco, where a lean man named Bob Bowen casually reveals he sold the Yellow Jack mine for a million and a half. His audience—a fat man, a drummer, and a skeptical listener—reacts with disbelief, but Bowen's gray eyes twinkle as if at a secret jest. This early scene establishes a pattern: Bowen is a man who knows ores, talks in precise figures, and uses understatement to disarm. The dialogue is brisk, salted with period slang like 'Topheth' and 'ruby silver,' and the setting shifts quickly from train to city as Bowen pursues a scheme involving the Apex Crown mine.

A Partnership Forged in Argument

The central relationship in the excerpts is not a romance of glances but a business negotiation conducted in a hotel room. Bowen proposes that Alice Ferguson, a stenographer, become his partner in a stock grab. She resists, suspecting generosity because she is a woman. Bowen's reply is blunt: 'You’re right. I wouldn’t! It’s because you are a woman that I want you for partner.' He argues that responsibility to her will make him fight harder—'like hell,' he says, then apologizes. The scene hinges on her reading his honesty beneath the crudeness. She agrees, and they immediately split five hundred dollars in expense money. The partnership is transactional, emotional, and laced with the language of mining finance.

The Mechanics of a Stock Play

Bedford-Jones embeds the plot in specific financial maneuvers. Bowen explains his plan to a broker named Gus Saunders: a New York financier named Dickover will scare a man named Henderson into unloading Apex Crown shares, and Bowen intends to 'gobble about three hundred thousand shares' at the lowest price. The excerpts include talk of 'ruby silver,' 'outcrop,' and the Yellow Jack sale as proof of Bowen's expertise. The story treats mining stock as a game of psychology and timing, not geology. Bowen's card and his casual mention of selling mines establish his credibility. The reader is expected to follow terms like 'block of stock' and 'fifty shares' without explanation, suggesting an audience familiar with speculative markets.

Voice and Setting as Character

The prose is lean and fast, matching its hero. Descriptions are minimal: the fat man 'squeezed himself' into a chair, the drummer 'resented the diminutive.' Bowen's speech is marked by short, declarative sentences and a recurrent twinkle in his gray eyes. The setting—San Francisco, Tonopah, a taxicab, a broker's office—is sketched with place names rather than sensory detail. The story's energy comes from dialogue and the tension of deals. The heroine, Alice Ferguson, is defined by her work: she 'worked for her living' and has learned to judge men's words. Her insistence on contributing something, even when offered money, gives her a distinct agency within the period's conventions.

Readers should attend to how Bedford-Jones uses financial jargon as a kind of shorthand for competence and trust. Bowen's authority is established not by his past but by his ability to name prices and mines. The partnership with Alice Ferguson is the story's engine, and its terms—equal shares, mutual risk—are laid out in the excerpts. The incomplete text leaves open how the scheme unfolds, but the pattern of quick deals and sharper talk is already set.

The rain kept me indoors, and I lost myself in Bob and Alice's sharp-edged partnership. Their bargain felt less like romance than a shared, wary respect. That thought lingered as the thunder rolled, drifting me toward another world entirely. I remembered a quiet governess navigating a foreign court, and how her own careful bargains held similar quiet strength. His Excellency's English Governess — Themes and Context came to mind, almost unsought.

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